{"id":794,"date":"2014-05-20T02:50:50","date_gmt":"2014-05-20T02:50:50","guid":{"rendered":"http:\/\/www.rbknrbkn.com\/workandprogress\/?p=794"},"modified":"2014-05-20T02:50:50","modified_gmt":"2014-05-20T02:50:50","slug":"2001-a-space-topography","status":"publish","type":"post","link":"https:\/\/www.rbknrbkn.com\/workandprogress\/?p=794","title":{"rendered":"2001: A Space Topography"},"content":{"rendered":"<p>This piece is a reappropriation of the famous <em>stargate\u00a0<\/em>sequence from Stanley Kubrick&#8217;s <em>2001: A Space\u00a0<\/em><i>Odyssey<\/i>.<\/p>\n<p><a href=\"http:\/\/www.rbknrbkn.com\/workandprogress\/wp-content\/uploads\/2014\/05\/small-multiples.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-827\" src=\"http:\/\/www.rbknrbkn.com\/workandprogress\/wp-content\/uploads\/2014\/05\/small-multiples.png\" alt=\"small-multiples\" width=\"595\" height=\"595\" srcset=\"https:\/\/www.rbknrbkn.com\/workandprogress\/wp-content\/uploads\/2014\/05\/small-multiples.png 595w, https:\/\/www.rbknrbkn.com\/workandprogress\/wp-content\/uploads\/2014\/05\/small-multiples-150x150.png 150w, https:\/\/www.rbknrbkn.com\/workandprogress\/wp-content\/uploads\/2014\/05\/small-multiples-300x300.png 300w, https:\/\/www.rbknrbkn.com\/workandprogress\/wp-content\/uploads\/2014\/05\/small-multiples-260x260.png 260w, https:\/\/www.rbknrbkn.com\/workandprogress\/wp-content\/uploads\/2014\/05\/small-multiples-530x530.png 530w\" sizes=\"auto, (max-width: 595px) 100vw, 595px\" \/><\/a><\/p>\n<p>To me, that particular sequence has an interesting topographical quality to it. Using Max\/Jitter, I applied the <a href=\"https:\/\/www.google.com\/search?q=rutt+etra\">Rutt-Etra technique <\/a>\u00a0to turn the abstract geography of the sequence into a traversable 3D environment. The original concept was to break down particular portions of the sequence into abstract geographical details, spread out through a 3D world that the user can explore and discover. However, I chose to retain the sequential aspect of the scene as the sense of movement and rhythm innate in it is unmatched.<\/p>\n<p>&nbsp;<\/p>\n<p>[sr_video]<iframe loading=\"lazy\" width=\"610\" height=\"343\" src=\"\/\/player.vimeo.com\/video\/94056286\" frameborder=\"0\" webkitallowfullscreen=\"webkitallowfullscreen\" mozallowfullscreen=\"mozallowfullscreen\" allowfullscreen=\"allowfullscreen\"><\/iframe>[\/sr_video]<\/p>\n<p>The user interacts with the piece through the <a href=\"http:\/\/www.3dconnexion.com\/products\/spacenavigator.html\">SpaceNavigator <\/a>peripheral that allows for 3D controls in the X, Y, and Z axes.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This piece is a reappropriation of the famous stargate\u00a0sequence from Stanley Kubrick&#8217;s 2001: A Space\u00a0Odyssey. To me, that particular sequence has an interesting topographical quality to it. Using Max\/Jitter, I applied the Rutt-Etra technique \u00a0to turn the abstract geography of the sequence into a traversable 3D environment. The original concept was to break down particular [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":795,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-794","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-itp"],"_links":{"self":[{"href":"https:\/\/www.rbknrbkn.com\/workandprogress\/index.php?rest_route=\/wp\/v2\/posts\/794","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rbknrbkn.com\/workandprogress\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rbknrbkn.com\/workandprogress\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rbknrbkn.com\/workandprogress\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rbknrbkn.com\/workandprogress\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=794"}],"version-history":[{"count":5,"href":"https:\/\/www.rbknrbkn.com\/workandprogress\/index.php?rest_route=\/wp\/v2\/posts\/794\/revisions"}],"predecessor-version":[{"id":828,"href":"https:\/\/www.rbknrbkn.com\/workandprogress\/index.php?rest_route=\/wp\/v2\/posts\/794\/revisions\/828"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.rbknrbkn.com\/workandprogress\/index.php?rest_route=\/wp\/v2\/media\/795"}],"wp:attachment":[{"href":"https:\/\/www.rbknrbkn.com\/workandprogress\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=794"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rbknrbkn.com\/workandprogress\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=794"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rbknrbkn.com\/workandprogress\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=794"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}